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Ben McConnell

May 11, 2005

What makes for a good podcast?

Talk about the potential of podcasting: Jeff from Allstate emailed us to say he listened to our most recent podcast at Wrigley Field in Chicago while waiting for the start of a Cubs game.

Content portability is one of the many persuasive arguments about the power of podcasting. One of its chief difficulties is, and always will be, creating compelling content.

What's a bit easier is assembling the technology behind it. Since we have received quite a few emails inquiring about our podcasting toolset, we decided it could make for a helpful blog post. (If you are one of those people who had emailed me a technical question and I didn't respond, I can only say my dog ate it. And, I'm a bit of an email laggard.)

For our podcast "studio," we opted for what might be considered a mid- to high-range solution: professional-quality microphones, a mobile recording device, and excellent audio editing software. There are vastly less-expensive set-ups available than what we use, but for several hundred bucks, your podcast quality is goosed incrementally as well as the ability to edit your work.

The theology behind our podcast is unabashedly NPR-like. I'm a huge fan of NPR (Robert Siegel, you are my hero!), so we unshyly emulate the NPR show model. That means 10-minute segments in a 30-minute show, musical interludes and advance planning.

To make our NPR aping come alive, we use (prices are approximate):

Microphones:
Audio Technica AT3035
$199
An excellent in-studio (read: home office) mic; makes voices sound richer. If you're an amatuer musician, this baby is rock-star quality.

Audio Technica DR-LVX2
$79
A good mobile mic and excellent for keeping out extraneous noise surrounding the person speaking into it.

Mic pre-amp:
Edirol UA-25
$239

It's not the most beautiful-looking piece of equipment ever designed, but it seems like it could stop a bullet (good if you're at Bloggercon caught between Dave Winer and a vendor). The beauty of this gadget? It operates using the power of a USB connection from your laptop. It will also take two mics... perfect for interviews, or capturing the sounds of a completely unnecessary Bloggercon spat.

Recorder:
iRiver iFP-895 mp3 player/recorder
$139

This gadget is slightly bigger than a cigar lighter, but it packs a lot more fire. Powered by one AA battery, the iRiver can capture about 90 minutes of high-res audio. I much prefer this than recording directly to a PC or Mac. Adam Curry says he no longer records his podcasts directly to his laptop because of "too many heartbreaks of a computer crash in mid-show."

Editing:
Adobe Audition (formerly Cool Edit Pro)
$299

It can take months to explore the zillions of features in this high-end program but for editing sound down to the micro-second level, Audition rocks. It lets you work at a high-resolution level and save down to lower bit-rates. There are oodles of filters for eliminating rumbles, pops and other extraneous noises. I also use it edit the length of the musical interludes. Now, if it just had a "ummm" or "ahhhhh" remover...

iTunes
Free, baby!
I use iTunes to insert the mp3 ID tags into the file, including a custom-created picture that would normally go where the CD cover image resides.

Hosting:
Conference Calls Unlimited
Various plans available

Conference Calls Unlimited also makes telephone interviews easier, better and more reliable than Skype-based calls. You'll love CCU's personal attention, too.

The beauty of this set up is that all of the tools and software are available for PC and Macs, and I often work seamlessly between the two.

Posted by Ben McConnell on May 11, 2005 | Permalink

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COMMENTS

You just made my day! Thank you - this is extremely useful. Now, I need to get my feet wet making a podcast!

Posted by: Betsy Weber at May 12, 2005 12:08:21 AM

Betsy -- Be sure to let me know when you unveil your podcast/screencast show.

Posted by: Ben McConnell at May 12, 2005 12:35:55 PM

All great advice! Having been involved in recording engineering for 20 years now, it's been interesting to witness home recording boom... and now podcasting is making engineers of the most unlikely people.

While decent equipment is a good start (but not necessary), the most valuable asset is knowing decent mic techniques, a bit of how to set input levels and compression (essential!), and a general knowledge of digital audio. Oh... and "popper-stopper" windscreens will save your recording when folks get excited about the topic at hand.

Amazon.com has many good books on the basics of home recording, and MusiciansFriend.com has all the gadgets at great prices.

Posted by: Trevor Lettman at May 12, 2005 2:59:08 PM

Trevor, decent mic techniques and input levels are a key technical challenge for us. It seems we struggle with those every time (but incrementally improve with every session).

And I neglected to include our wind screen equipment in the list. Good catch.

Posted by: Ben McConnell at May 12, 2005 3:05:00 PM



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